LightPainting.org

Gelid

I decided to try using white LEDs as a primary light source to create more of a contrast to my usual warm incandescent light. Chelsea Darling graciously agreed to be my experimental model, and we spent a couple of hours sticking them to her fingers to see what would happen. The light wasn’t nearly as harsh as I feared, and produced a wonderfully soft skin tone. More experimentation to come with this sort of lighting.

Corra

Corra Linn in infrared

Last weekend I went in search of landscapes with Ian and Sarah. This is usually a fruitless exercise as the weather and the fates always conspire against us - most effectively on the day we went to Bute to photograph a wrecked fishing boat. Not only did it rain solidly the entire day, but when we got there we discovered that the wreck had been removed a couple of months previously. Luckily we’re all boneheaded enough to not let a lack of success spoil a day out, so on Sunday we went to Corra Linn. Predictably, it started raining as soon as we got there, so we sat under an overhang until the sun came out. This was the result.

Here Be Dragons

This is Denise’s dragon - and as no self-respecting mythical serpent should be denied the ability to set things on fire, I decided to lightpaint in a little fiery breath. No models were singed in the making of this image…

As I’m primarily a lightpainter, I do a lot of work in dark studios, and as a result, trip over things a lot. In an effort to reduce this laughter-inducing behaviour I built a radio shutter release for my camera. My models are now less entertained, but I’m that little bit more efficient, and slightly less bruised. Click the link above for construction details.

Finished working through the digital images from Tuesday’s shoot with Lyn, and completed this one. It’s lit through the same piece of glass that was used in Oblique (nude) - always an interesting way to add some texture to the light.

Time to go and process the film now.